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火博体育大学

 

艾米丽拉扎尔3
I don't like sitting around talking about gear or plug-ins. For me, mastering engineering is all about listening! It is about making decisions and having confidence in the creative direction that you have chosen. So be a good listener.

艾米丽·拉扎尔,93年

  • 目前的工作
    President/Engineer, The Lodge Mastering
  • 在火博体育
    英语专业的学生 | 音乐小

对艾米丽

Emily 拉扎尔 '93 won a Grammy in 2019 for Best Engineered Album, Non-Classical for her engineering work on 贝克's "Colors" album. She is the first woman to win in the category.


 


This wasn't 拉扎尔's first trip to the Grammys. She was nominated in 2014 for the Foo Fighters' "Wasting Light," which was up for Album of the Year, and for Record of the Year for Sia's hit "Chandelier” in 2014. In 2016, she was nominated for Best Engineered Album, Non-Classical for her work on the album "Recreational Love" by American indie pop duo The Bird and the Bee.


 


拉扎尔, 大于2,000 albums on her resume, has received not only multiple Grammy nominations, but honors such as the TEC Foundation's Technical Excellence and Creativity award in the "Record/Production Album” category. 


 


拉扎尔 has worked with a range of groundbreaking music from platinum-selling artists such as David Bowie, 贝克, 卢里德, 真命天女, 杰夫·巴克利, 武当派, 的天才, 麦当娜, 垃圾, 小姑娘艾略特, The All-American Rejects, 夫人, 的小腿, 和纳达冲浪. In addition, she has mastered original sound tracks for feature films including 海德薇格, 安妮,训练日, Pokemon: The 1st Movie, 男孩不哭, NBC系列 英雄, Lucky Number Slevin, 六英尺下, 惩罚者, and video game, Grand Theft Auto V.


 


拉扎尔 operates from the audio-mastering facility The Lodge in New York, which she established in 1997, serving as founder and president. According to an interview with billboard.com, "There weren't that many mastering studios or mastering engineers at the time” 拉扎尔 explained. "Although I had studied and earned degrees and worked really hard to be on top of my technical game, it's not really my focus. I don't like sitting around and talking about gear or plug-ins or settings on gear. I use the whole thing as a more artistic and creative experience.”


 


增加拉扎尔, “I was interested in creating an alternative to the traditional types of mastering facilities that existed. I wanted to provide a welcoming environment where artists, 生产商s 和机s would feel comfortable investigating whatever was necessary to complete their album. I am happy to say that The Lodge has mastered and mixed around 4,000 projects since we opened our doors.”


 


拉扎尔只得了B.A. in 英语 with a minor in music at Skidmore. She spent her free time writing music, 乐队演奏, and worked as a freelance engineer, 生产商, 和机.